Dependently independent: Co-existence of institutional logics in the recorded music industry
dc.contributor | Copenhagen Business School | en_US |
dc.contributor.advisor | Peter Maskell | is |
dc.contributor.advisor | Jesper Strandgaard Petersen | is |
dc.contributor.advisor | Eva Boxenbaum | is |
dc.contributor.author | Sigurðardóttir, Margrét Sigrún | |
dc.date.accessioned | 2017-11-22T15:40:04Z | |
dc.date.available | 2017-11-22T15:40:04Z | |
dc.date.issued | 2010 | |
dc.description.abstract | The concept of institutional logics, notably a choice between multiple logics, has been offered as a foundation to theoretically explain heterogeneity of organisation. The thesis focuses on how this heterogeneity of organisation is possible through a study of how decision makers deal with conflicting yet co‐ existing logics in their every day work. The field chosen for the empirical study is the recorded music industry, where two opposing logics, the artistic and the commercial, necessarily co‐exist. Through semi‐structured interviews, decision makers in the recorded music industry in the UK were asked about their work processes. Their descriptions revealed two very different ways of acting based on either the artistic logic or the commercial logic. The study further shows that even if there were some attempts to take both logics into account, all the respondents emphasised one logic over the other, but not the same logic, leading to the established major/independent duality in the structure of the field. | en_US |
dc.description.abstract | Begrebet institutionelle logikker er blevet brugt som et fundament til at forklare, på en teoretisk måde, heterogenitet af organisation, gennem et valg mellem flere logikker. Denne phd afhandling fokuserer på, hvordan denne heterogenitet af organisation er mulig gennem en undersøgelse af, hvordan beslutningstagere håndterer modstridende, men alligevel sam‐eksisterende logikker i deres daglige arbejde. Feltet valgt til den empiriske undersøgelse er musikbranchen i Storbritannien, hvor to modsatrettede logikker, den kunstneriske og kommercielle, nødvendigvis sam‐eksisterer. Gennem semi‐strukturerede interviews blev beslutningstagere i musikbranchen i Storbritannien adspurgt om deres arbejdsprocesser. Baseret på deres beskrivelser blev to meget forskellige måder at handle på opdaget, på den ene hånd med grundlag i den kunstneriske logik og på den anden side den kommercielle logik. Endvidere argumenteres der for, at selv om der var nogle forsøg på at tage hensyn til begge logikker fremhævede alle de adspurgte en logik frem for den anden, men ikke den samme logik, der fører til den etablerede major / indipendent opdeling i branchens struktur. | en_US |
dc.identifier.citation | Margrét Sigrún Sigurðardóttir. (2010). Dependently independent: Co-existence of institutional logics in the recorded music industry (doktorsritgerð). Copenhagen Business School, Kaupmannahöfn. | en_US |
dc.identifier.isbn | 9788759384121 | |
dc.identifier.issn | 0906-6934 | |
dc.identifier.uri | https://hdl.handle.net/20.500.11815/457 | |
dc.language.iso | en | en_US |
dc.publisher | Copenhagen Business School | en_US |
dc.relation.ispartofseries | PhD Series;2010(3) | |
dc.rights | info:eu-repo/semantics/openAccess | en_US |
dc.subject | Útgáfumál | en_US |
dc.subject | Tónlist | en_US |
dc.subject | Doktorsritgerðir | en_US |
dc.title | Dependently independent: Co-existence of institutional logics in the recorded music industry | en_US |
dc.type | info:eu-repo/semantics/doctoralThesis | en_US |
Skrár
Original bundle
1 - 1 af 1
Hleð...
- Nafn:
- Margrét_Sigrún_Sigurdardottir.pdf
- Stærð:
- 3.94 MB
- Snið:
- Adobe Portable Document Format
- Description: